
Harry,
about 19, playing with the Chuck Foster Band


Harry (left) performing with the Chicago Symphony Orchestra

Harry loved these Melody Top stars of Sound of Music!

Playing a show at the
Shubert

Playing
Chorus Line. (Below: Everyone got a kick out of
the way Harry organized his mallets for fast changes in his tight working
space.)
(See Harry's article on how to be a good show drummer.) |
In Memory of
Harry Brabec
(1927-2005)
The Last of a Dying Breed
by his wife, Barbara
Harry’s lifelong career as a drummer began at the age of seven. By the
age of 14, he had played a few performances with the then-widely-known
Cole Brothers Circus, which in turn led to a lifelong interest in the
circus, and circus and band music. Before Harry met and married me in
1961, his musical skills had been recognized in every sort of setting
from lounges featuring the jazz greats of the nation to the bands of
Wayne King, Woody Herman, and Chuck Foster, to major symphony orchestras.
He was a member of the National Symphony Orchestra in Washington, D.C.
for three years and a member of the Civic Orchestra of Chicago for one
season. In 1951, he joined the Chicago Symphony Orchestra as a section
percussionist and a year later was appointed Principal Percussionist by
then-music-director Rafael Kubelik, a conductor he admired greatly. When
Fritz Reiner took over the baton, however, Harry and many other CSO
members found life more difficult.
For some reason Harry never understood, Reiner did not like him, and
they constantly tangled horns over the years until Reiner finally had
Harry removed from the orchestra in 1956. (Part of this interesting story
is documented in Sam Denov’s book, Symphonic Paradox–The
Misadventures of a Wayward Musician. Sam was in the percussion section
with Harry during this period of his life. See also page
on this site that recounts two Harry Brabec/Fritz Reiner stories.) After leaving the Chicago
Symphony, Harry was on staff at NBC for two years, where he played with
the NBC Symphony of Chicago.
Later, after we were married, Harry was rehired by the
Chicago Symphony as assistant Stage Librarian and then appointed Stage
Manager in 1968, a position he held until June 1971. During this second
tenure with the CSO, Harry frequently performed as an extra percussionist,
and seeing him perform on stage in his white tie and tails
always gave me a thrill.
An Exceptional Musician
Harry played all percussion instruments, including keyboard
instruments and tympani, but he was best known among his peers for his
superb snare drum playing. He was both a fine classical musician and a
great jazz drummer who could make any band rock! He was never better than
when he played Melody Top Theater for three seasons right after we
were married. This summer tent theater in Hillside, Illinois (now gone)
featured leading stars of the day and, as his wife, I always had a
ringside seat for every show he played there, including Hit the Deck,
Kiss Me Kate, Wonderful Town, Fanny, Sound of Music, The Music Man, and
The Unsinkable Molly Brown.
In 1962, Harry became the house drummer at the Shubert Theater in
Chicago, where shows usually ran for several months. Once again, I had
a front row seat for every musical that came into town, including
Carnival, Stop the World, How to Succeed in Business Without Really
Trying, and Oliver. As a freelance musician, Harry had his pick of
available work, and when he wasn’t doing shows at the Shubert or Melody
Top, he might be playing with the Lyric Opera, Grant Park or Ravinia. He
also played Cabaret and A Chorus Line when these shows came to the
Milwaukee, Wisconsin area.
During his life-long career as a professional musician or orchestra
manger, Harry worked with countless orchestras and entertainers,
including Bob Hope, Tony Bennett, Danny Thomas, Danny Kaye, Sonny &
Cher and many others. As his wife, I was privileged to meet such greats
as Pete Fountain, Ella Fitzgerald and Carol Channing.

Page 2 - Moving in New Directions
A look at Harry's work with the Disney World Marching Band, Artisan Crafts Magazine, Silver
Dollar City's Fall Festival,
and the International Crafts Exposition in Williamsburg, Virginia.
[Back to Harry's Cover Page]
Copyright © 2000-2008
by Barbara Brabec
All Rights Reserved
Barbara Brabec's World
BarbaraBrabec.com
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